Sketches of Frank Gehry Critic Reviews
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Based upon 10 Critic ReviewsHighest Rated
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It's a stirring portrait of a singular artist, a gorgeously photographed album of his buildings, and, perhaps most importantly, a film that manages to demystify the way he works without diminishing it.Read the full review
Gehry sketches and free-associates about how he's not nearly the menschy aw-shucks pussycat from Canada he appears to be but rather a wily, complicated L.A. lion.Read the full review
Lucid and engaging, Sketches of Frank Gehry provides the enormously gratifying opportunity to spend an hour-and-a-half with an artistic giant.Read the full review
Pollack does give a substantial chunk of screen time to Milton Wexler, Gehry's longtime analyst, who proves to be a winning, charismatic presence.Read the full review
The result is not a formal doc but an extended chat between two professionals who, as Pollack puts it, search for "a sliver of space in the commercial world where you can make a difference."Read the full review
This absorbing documentary, the first directed by Sydney Pollack, is a modest undertaking, offering glimpses of the architect and his work rather than a full-scale portrait or catalogue raisonné.Read the full review
You learn as much as you need to know to understand Gehry's architectural process and to appreciate his enormous contribution to modern art and architecture. Which is not a bad thing. Just sketchy.Read the full review
Just when Sydney Pollack's new film about super-architect Frank Gehry, Sketches of Frank Gehry, threatens to get really interesting, Pollack, perhaps unconsciously channeling about 100 years' worth of bad movies about great artists, reverts to fall-back mode.Read the full review
Gehry is a fascinating subject, a strangely magnetic combination of rumpled, aw-shucks humility and Herculean ambition and hubris, but every time Pollack stumbles onto a fascinating topic like Gehry's battles with anti-Semitism, he pulls away instead of delving deeper.Read the full review
When Pollack admits that he is not a documentary filmmaker and that he knows nothing about architecture, Gehry says that makes him perfect for this project. But the joke does not redeem the frustration Pollack creates by the choppy, restless views he gives us of Gehry's buildings.Read the full review