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Critic Reviews powered by Metacritic ™
David Sterritt
Christian Science Monitor
This well-acted melodrama paints a convincing portrait of its Montana milieu, and its best scenes suggest real insights into the paradoxical attitudes toward masculinity and sexuality that American men often feel compelled to assume. Full Review
Dennis Lim
Village Voice
The lead performances could hardly be better: Gosling, having stolen and propped up entire movies last year ("Murder by Numbers" and "The Believer"), crackles with the economical intensity of a young Tim Roth. Morse, who has racked up decades worth of idiosyncratic character parts, is monumental in this career-peak turn. Full Review
Elizabeth Weitzman
New York Daily News
What it offers are dozens of intimate moments that feel so true, they achieve a rare kind of grace. This sensitive indie drama was written and directed by brothers - and first-time feature filmmakers. Full Review
Hazel-Dawn Dumpert
L.A. Weekly
This bleak debut feature from writer-directors Alex and Andrew Smith would be all but impossible to sit through if it weren’t for Ryan Gosling and Clea Duvall. Full Review
Joe Leydon
Variety
Strong performances, a few dramatically potent scenes and a vividly specific evocation of locale barely offset hackneyed and muddled elements in a script that plays like a first draft. Full Review
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