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Following 2009's "Bluebeard," French filmmaker Catherine Breillat continues her unique and psychologically, erotically daring deconstruction of classic fairy tales and the female condition.Full Review
At its best, The Sleeping Beauty reclaims fairy tales as a kind of oral folk REM state, chewing over anxieties about adulthood, behavior, sex, and belonging in potent symbolic form.Full Review
Breillat manages to give us a lush, quiet spectacle with The Sleeping Beauty.Full Review
One could argue that, in varying degrees, all of the iconoclastic French director's films have dismantled femme-centric fairy tales. But in this, the second of a planned trilogy, she's confronting burnished old folk tales head-on. Sly and playful, it's a beauty.Full Review
It's clear what Breillat is trying to do here in the abstract - and The Sleeping Beauty is never less than gorgeous to look at - but the movie doesn't hang together as a story, and "stories" are what these fairy tales are meant to deliver.Full Review
