Standing in the Shadows of Motown Critic Reviews

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Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Offers terrific interviews with the surviving Funk Brothers, who provide a tasty insider history of 4 a.m. recording sessions inside ''the snake pit'' (as the fabled Studio A was known) as well as a chilling description of their final kiss-off from Berry Gordy, the Motown mogul who treated them like indentured servants.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

So good because it is one of those rare documentaries that combine information with smashing entertainment.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

A glorious feature-length documentary -- This film will leave an indentment, and a deep one, on anyone who loves great, joyous music and cares about the people who make it.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

It's a thrill to listen to the seasoned survivors offering witty, evocative anecdotes about themselves and others.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

One hell of a party, and it doesn't let anything get in the way of that.Read the full review

San Francisco Chronicle | Joel SelvinAdd Critic to Favorites

Catches magic on the screen -- a behind-the-curtain peek at some of the world's best-loved music, straight from the cats who made it happen.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Interlaces interviews with the surviving Funk Brothers with new performances of many of the hit songs, and some sequences in which events of the past are re-created. The flashback sequences are not especially effective, but are probably better than more talking heads. Or maybe not.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

The film is a testament to art, life and survival like the similar but superior "Buena Vista Social Club."Read the full review

Variety | Walter DawkinsAdd Critic to Favorites

The film works on both a human-interest level -- focusing on the travails of the band members now finally receiving their well-earned due -- and as a slice of Motown's early history.Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

A blast into the past, but as with many nostalgic trips it's also shrouded in mist. The awkward, almost embarrassed way in which director Paul Justman, as well as writers Walter Dallas and Ntozake Shange, deal with race is unfortunate, as is the tendency toward overstatement.Read the full review

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