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4stars only because the performances were very believable BUT THE SCRIPT SUCKED! IT WAS HIGHLY PREDICTABLE & the parts not...were like fodder shots. The director did deliever the details but there is something wrong with the script. This story has been done before. --MO
Such a lovely inspiring ode to psychopathic serial killing. Violence is new beautiful.
awesome movie. Tony Scott is a great director!!!!
Critic Reviews powered by Metacritic ™
Chicago Sun-Times
The chilling and stylish and aggressively creepy Stoker begins at the end and takes us on a shocking and lurid journey before we land right where we started, now seeing every small detail through a different lens.
It's disturbingly good. Full Review
David Edelstein
New York Magazine (Vulture)
Wasikowska drabs herself down. Her body is undefined in dowdy clothes, her hair hangs limply. But her eyes usher you into her inner world, with its battle between girlish longing and the impatience to move on and be what she really is — whatever that might be. It’s a richer performance than the movie deserves. Full Review
Ed Gonzalez
Slant Magazine
The film's weird mix of dollhouse dread and fashion-magazine chic can be fetching, but it's nothing if not vacuous, a series of disjointed, improvisatory riffs that recall the brazen aesthetic overload of Amer. Full Review
Eric Kohn
indieWIRE
More blatantly an exercise in style than anything on par with the director's crowning achievements, and suffers to some degree from the predictability of its premise. Full Review
James Berardinelli
ReelViews
Stoker is deliciously demented, and that's a good thing. This twisted coming-of-age tale takes us into "Carrie" territory without the supernatural element. Full Review
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