Stop-Loss Critic Reviews
Metascore®:
Based upon 13 Critic ReviewsHighest Rated
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Stop-Loss is a human story first and foremost, and Peirce and her stellar young cast ensure that the message never gets in the way of the storytelling.Read the full review
Even when the script slips into sentiment, Peirce sticks with her troubled, questing soldiers, and through this raw and riveting movie, they stick with us.Read the full review
Clearly, Peirce's motives are pure. She's not using the "stop-loss" issue as a wedge to make the government or the administration look bad. She's using it to dramatize an injustice and to advocate on behalf of the soldiers.Read the full review
It's a remarkably entertaining movie, thanks in part to a first-rate cast and a director who knows you can't make a point without calling everyone to attention.Read the full review
Stop-Loss is a film that does it right.Read the full review
A painfully polite Iraq war drama pitched at the MTV generation.Read the full review
It's an uneven experience, with some evocative moments and others that don't resonate as much as they should.Read the full review
Ms. Peirce’s movie, which she wrote with Mark Richard, is not only an earnest, issue-driven narrative, but also a feverish entertainment, a passionate, at times overwrought melodrama gaudy with violent actions and emotions.Read the full review
A young cast and hotheaded melodramatic streak make it broadly accessible, perhaps enough so to help the film scrape past boxoffice challenges faced by other Iraq-centered features.Read the full review
Heavy metal, alt-pop, southern rock, orchestral swells, wailing Middle Eastern tunes all vie for our attention, but none of this noise drowns out the sound of good intentions twisting themselves into an impotent knot.Read the full review