Suburbia (1997) Critic Reviews

Metascore®:

67 =
Based upon 11 Critic Reviews
See all Suburbia (1997) reviews at
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The New York Times | Elvis MitchellAdd Critic to Favorites

Mr. Bogosian's venomously funny play, which he adapted himself for the screen, is given warmth and generosity by Mr. Linklater, whose elegantly fluid direction and great skill with actors are accentuated by the play's spareness.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The movie is dark, intense and disturbing.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The fierce and funny film version has been directed by Texan Richard Linklater (Slacker, Dazed and Confused, Before Sunrise) with rare grace and compassion.Read the full review

Variety | Godfrey CheshireAdd Critic to Favorites

Writer-director teamings seldom mesh as smoothly or suggest so many creative affinities as does the one at the heart of subUrbia, a brooding, incisive comedy that blends the talents of helmer Richard Linklater and playwright Eric Bogosian.Read the full review

San Francisco Chronicle | Peter StackAdd Critic to Favorites

SubUrbia is depressing comedy -- the more so because director Richard Linklater's satirical picture of youthful alienation rings painfully true.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Driven by Bogosian's finger-snapping dialogue and theatrical structure, subUrbia doesn't allow for much pleasurably Linklaterish lounging; each character has got some serious orating to do before the night is over.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

SubUrbia is about 95% dialogue, some of which is clever, but much of which is pointless.Read the full review

Slate | Sarah KerrAdd Critic to Favorites

subUrbia is a letdown, but at least it reminds us of how innovative Richard Linklater has been until now.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Linklater, who introduced the blithe, but bemused slacker subculture to America in 1991, gets bogged down not only in Bogosian's for-stage structure, but especially his middle-aged perspective.Read the full review

Los Angeles Times | Jack MathewsAdd Critic to Favorites

With each succeeding picture, Linklater seemed to grow as a filmmaker, just as his characters became more defined and developed. But with his fourth picture, subUrbia, he takes two giant steps backward.Read the full review

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