Surrogates Critic Reviews

Metascore®:

52 =
Based upon 11 Critic Reviews
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Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

There's fun robot stuff, some good philosophical ideas, and a brief, nutty Willis-Ving Rhames reunion 15 years after "Pulp Fiction."Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

This represesents the smartest high-budget, high-profile science fiction film to have come along in quite some time.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Mostow's smart speculative suspenser imagines a time when people can live through ideal versions of themselves while they sit wired up at home.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Surrogates is entertaining and ingenious, but it settles too soon for formula.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

A reasonably watchable sci-fi B movie, a case of a good director and some intriguing ideas struggling to overcome formula plotting, limp dialogue, and a serious case of the sillies.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

Half a howler but not nearly funny enough.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Relentlessly plods from one dour moment to the next, coming to life only in a late-film car chase that takes the possibilities of a world filled with robots to an absurd extreme.Read the full review

Los Angeles Times | Robert AbeleAdd Critic to Favorites

An interesting idea, but unfortunately, the film's narrative and emotional engine operate as mechanically as the titular, dead-eyed glamazoids.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

A mechanical sci-fi'er absent of logic or emotions. It functions as an expensive place-filler on the Disney release schedule and, as such, will be welcomed by only the least discriminating thriller fans.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

In this kind of industrial entertainment, particularly one that seems to be missing some connective narrative tissue, it’s hard to know if the writers or the director can be credited or blamed for what’s left on screen.Read the full review

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