The Adventures Of Baron Munchausen Critic Reviews

Aided by the luscious cinematography of Giuseppe Rotunno (one of Fellini's favorites) and the illustrious production design of Dante Ferretti, Gilliam has clearly won this round to preserve magic and wonder on the screen. [8 Mar 1989, p.E1]Read the full review

Terry Gilliam's The Adventures of Baron Munchausen is a wondrous feat of imagination. In terms of sheer inventiveness, it makes the other movies around these days look paltry and underfed. The worlds Gilliam has created here are like the ones he created in his animations for Monty Python -- they have a majestic peculiarity. And you're constantly amazed by the freshness and eccentricity of what is pushed in front of your eyes.Read the full review

Terry Gilliam is the wit behind this lavish display of sieges, sea-creature tussles and trips to the moon. Adapting the handed-down stories of Baron Von Munchausen, an 18th-century spinner of tall tales, this modern maker of similar flights of fancy has created another brilliantly inventive epic of fantasy and satire.Read the full review

With their remarkable contributions, ''Baron Munchausen'' is full of moments that dazzle, just for the fun of seeing the impossible come to life on the screen. What the Folies-Bergere once was for the foot-weary tourist, ''Baron Munchausen'' is for the television-exhausted child. Nothing much happens, but you can't easily tear your eyes away from it.Read the full review

I was confused sometimes during Baron Munchausen and bored sometimes, but this is a vast and commodious work, and even allowing for the unsuccessful passages there is a lot here to treasure.Read the full review

Gilliam has a vision and a viewpoint, and he puts it on screen with an extravagance, a humanistic generosity and a visual imagination that make it a standout in 1989's virtual cinematic vacuum. [10 Mar 1989, p.32]Read the full review

Gilliam never aims down, his films zing in somewhere at the Mensa level of reference, but he seems confident that we will catch the wit of his visual quotations and so we do. Like a film making Catherine wheel, he throws off an immoderate art history display; he plunders past film styles with a free hand to make a point. [5 Mar 1989, p.23]Read the full review

I felt much the same way as I sat goggle-eyed through this endless extravaganza of visual abracadabra. It seemed entirely possible that I might die of the fidgets or old age while waiting for Baron Munchausen to kill the Turks. And yet I found myself wanting to see the end of the movie before I expired. [9 Mar 1989, p.1]Read the full review

Excesses or not, I'm rabid to see this again. [10 Mar 1989, p.1D]Read the full review