Plot: The first cinematic teaming of horror greats Boris Karloff and Bela Lugosi is a bizarre, haunting, and relentlessly eerie film that was surprisingly morbid and perverse for its time. Read More
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I'm on a Sergio Martino kick lately, and since I've recovered from watching Edwige and Rassimov ravage each other senseless in The Strange Vice of Mrs. Wardh for the 100th time (love that movie!), I decided to revisit another favorite by the director,...
Filmmakers dabbled in horror during the silent era, but it wasn't until the 1930s that studios realized how much money was waiting to be made in the genre. The short period between 1931 and 1934 heralded a mini-horror renaissance, highlighted by several...
To make a horror movie today without color is probably inconceivable; how else could you possibly depict all that blood and gore without red? But there was once a time when horror depended on moods, on light and shadow, and black-and-white provided the...
I've been on a real Boris Karloff kick lately (see my recent triple-feature review over on Horror Squad), which started with back-to-back viewings of The Black Cat ('34) and The Raven ('35). Both films were made when Karloff was the premiere name in...
Welcome to another episode of I Would Have Saved/Killed. It goes like this: one of our writers will pick a character, big or small, from a movie and explain how they, for whatever reason, would have altered the fate of that character. Don't worry, we...

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