The Bourne Supremacy Critic Reviews

Metascore®:

76 =
Based upon 16 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

The way Greengrass lets you feel the violence is impressive. Most movie heroes punch through armies without scraping their knuckles, but Bourne's a believable wreck by midpoint.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

That the director, Paul Greengrass, treats the material with gravity and uses good actors in well-written supporting roles elevates the movie above its genre, but not quite out of it.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

A conventionally heightened series of escapes and clashes and hide-and-seek gambits, yet the way the film has been made, nothing that happens seems inevitable -- which is to say, anything seems possible. There's a word for that sensation. It's called excitement. Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

Rarely does pop come with such sizzle. Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

A serviceable thriller - no more, no less.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

If you've forgotten the kick you get from watching a globe-trotting, butt-kicking, whiplash-paced action movie done with humor, style and smarts, take a ride with The Bourne Supremacy. Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Almost everything that made "The Bourne Identity" refreshing -- the wit, the irony, the suspense, the novelty of its premise -- is gone in The Bourne Supremacy, and what's left is the spectacle of Matt Damon, with perfect posture and senses primed like a cat, making his way through a routine action thriller.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

The sequel is simply a tour-de-force of thriller filmmaking.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

Like its various post-Cold War European locations, the film remains chilly and distant. Every time you feel like you're finally grabbing hold of something involving, the picture once again spins frustratingly out of reach. Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

This is high-speed action realism carried off with the dexterity of a magician pulling a hundred rabbits out of a hat in one graceful gesture. The crowning flourish is an extended car chase through the streets and tunnels of Moscow that ranks as one of the three or four most exciting demolition derbies ever filmed. Read the full review

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