The Break-Up Critic Reviews
Metascore®:
Based upon 15 Critic Reviews- Highest Rated
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Publications (A-Z)
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- Critics (A-Z)
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- Favorite Critics
The biggest unresolved question here is why we're paying $9.50, plus popcorn, for something we can presumably get at home for free.Read the full review
Since the scenes where they're together are so much less convincing than the ones where they fall apart, watching the movie is like being on a double-date from hell.Read the full review
The best bits are incidental: Vaughn's chats with Jon Favreau as his bartender buddy, which are delightful interludes of jostling ego, and Judy Davis, looking like Anna Wintour redesigned by Tim Burton as an undead marionette, laying down the law as Aniston's boss.Read the full review
I'd be happy to see it listed in an in-flight magazine, but "Annie Hall" it's not.Read the full review
The Break-Up is like Danny DeVito's "The War of the Roses," but without the wit, the acid, and the blacker-than-black humor.Read the full review
Vaughn and Favreau are so money, just like they were in "Swingers."Read the full review
Imagine watching Bergman's "Scenes From a Marriage," except without good scenes, without a marriage (legal or spiritual) and without people worthy of anybody's attention, even each other's. Now imagine something even worse.Read the full review
With this genial bunch, and the occasional good line, there's no reason not to see The Break-Up, but there's also no reason, assuming the date is going well, not to skip it and order dessert.Read the full review
Audiences expecting a good time will instead be rewarded with wildly unsympathetic lead characters and uncomfortably long stretches without a laugh in sight.Read the full review
The script (by Jeremy Garelick and Jay Lavender) strains hard after a few easy jokes, and the whole movie feels dull and trivial.Read the full review