The Break-Up Critic Reviews

Metascore®:

46 =
Based upon 15 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

The biggest unresolved question here is why we're paying $9.50, plus popcorn, for something we can presumably get at home for free.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Since the scenes where they're together are so much less convincing than the ones where they fall apart, watching the movie is like being on a double-date from hell.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The best bits are incidental: Vaughn's chats with Jon Favreau as his bartender buddy, which are delightful interludes of jostling ego, and Judy Davis, looking like Anna Wintour redesigned by Tim Burton as an undead marionette, laying down the law as Aniston's boss.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

I'd be happy to see it listed in an in-flight magazine, but "Annie Hall" it's not.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The Break-Up is like Danny DeVito's "The War of the Roses," but without the wit, the acid, and the blacker-than-black humor.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Vaughn and Favreau are so money, just like they were in "Swingers."Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Imagine watching Bergman's "Scenes From a Marriage," except without good scenes, without a marriage (legal or spiritual) and without people worthy of anybody's attention, even each other's. Now imagine something even worse.Read the full review

Slate | Michael AggerAdd Critic to Favorites

With this genial bunch, and the occasional good line, there's no reason not to see The Break-Up, but there's also no reason, assuming the date is going well, not to skip it and order dessert.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

Audiences expecting a good time will instead be rewarded with wildly unsympathetic lead characters and uncomfortably long stretches without a laugh in sight.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

The script (by Jeremy Garelick and Jay Lavender) strains hard after a few easy jokes, and the whole movie feels dull and trivial.Read the full review

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