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the movie was smoooooth. but the movie watcher must read the reviews to discover whether the gumshoe an d the executive are brothers (are they?) or are they merely children in wwII who grew up., what about the fact that one of them watched a wwII civilian on the way to be rescued. the sound of langella's voice is like a melody and girlfriend is out of the 1940's voice, not enough clues to
This is an extraordinary movie and I don't understand the reviews. Most artfully done. A psychological meditation exploring mortality. The kind of movie you leave and need to see again, a very complex film. In other words, real art, open to differing interpretations. I wish I could be more articulate but just saw it and my wife and I are blown away. Beautiful film. It seems the critics had seen
Critic Reviews powered by Metacritic ™
Village Voice
The Caller begins as a multinational corporate thriller more ambiguous and geopolitically senseless than "Demonlover." Full Review
Frank Scheck
The Hollywood Reporter
The resulting cat-and-mouse game -- occupies most of the film's running time, to gradually diminishing results. Full Review
Lou Lumenick
New York Post
The Caller qualifies as something of a Holocaust movie, with flashbacks to World War II France. Guess who the two boys we see grow up to be? Full Review
Ronnie Scheib
Variety
Frank Langella's note-perfect, tour-de-force turn as a man elegantly shaping his own demise is nicely counterpointed by a shambling Elliott Gould as a bird-watching private eye. Full Review
Stephen Holden
The New York Times
Turns into an impenetrable essay on guilt, memory and the fear of death that even Mr. Langella's gravity cannot salvage. Full Review
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