The Company (2003) Critic Reviews

Metascore®:

77 =
Based upon 14 Critic Reviews
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Washington Post | Desson ThomsonAdd Critic to Favorites

It is sheer brilliance and testament to the vitality of an old master. Read the full review

Slate | David EdelsteinAdd Critic to Favorites

This is an absolutely miraculous movie. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Why did it take me so long to see what was right there in front of my face -- that The Company is the closest that Robert Altman has come to making an autobiographical film? Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Altman, showing the ardor and assurance of a master, pulls us into his film with seductive power. You won't want to miss a thing. Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The key to The Company is the quiet, focused rapture of Neve Campbell, who formally trained in ballet and performed all of her on-screen dances. The tranquil delight she takes in her body becomes its own eloquent form of acting.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

It should be a personal triumph or a personal tragedy, but it's neither: just another moment between curtain-rise and curtain-fall in the glorious business of creating beauty. Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Makes the world of ballet, seen by so many as rarefied, accessible and exciting, a rigorous art that yields breathtaking results. Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Robert Altman takes an elegant, appealingly unemphatic look at the world of ballet.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

A wonderfully vivid and engaging theatrical experience. Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Clearly Mr. Altman was enthralled by the company's work process, an alchemy through which sweat and muscularity on the rehearsal-room floor become exquisite abstractions on stage. His pleasure is infectious.Read the full review

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