The Crocodile Hunter: Collision Course Critic Reviews

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Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The mad genius of this cheerily bonkers feature is the integration of a documentary-style safari into an outlandish fiction involving a fancy-pants CIA pursuit of a downed spy satellite, and a shotgun-wielding outback widow.Read the full review

Los Angeles Times | John AndersonAdd Critic to Favorites

So refreshing and funny and, in its way, sophisticated.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

When I say this movie's a charm, I'm really talking about Irwin.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Forget the plot. The movie is really about Steve and Terri taking us on a guided tour of the crocs, snakes, deadly insects and other stars of the outback fauna. Steve's act is simplicity itself.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

A curiously thrilling and often hilarious experience.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

A perfectly respectable kid-friendly family offering.Read the full review

Boston Globe | Christy LemireAdd Critic to Favorites

The downtimes are so flat that it makes you wonder whether director John Stainton and writer Holly Goldberg Sloan made them intentionally bad, just so we'd look forward to seeing Irwin again.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Though Walt Disney's Peter Pan once implored us never to smile at a crocodile, the Irwins' own home movie is worth a couple of chuckles. Shivers, too.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

Has a weirdly divided structure that alternates Irwin's nature segments with clumsy dramatic footage set in the CIA.Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

The pleasure to be derived from watching a loopy Australian risk life and limb is not to be dismissed or underrated, but Collision Course proves that that guilty pleasure, no matter how potent, just isn't a solid basis for a film.Read the full review

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