The Crush Critic Reviews

Metascore®:

43 =
Based upon 12 Critic Reviews
See all The Crush reviews at
Sorted by:
Boston Globe | Loren KingAdd Critic to Favorites

MacDowell offers an engaging portrait of a complex woman who has survived life's slings and arrows. It makes Crush an affecting take on modern women.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Crush is an Aga romance crossed with modern retro-feminist soft porn, in which liberated women discuss lust as if it were a topic and not a fact.Read the full review

Variety | Derek ElleyAdd Critic to Favorites

Some fine screen chemistry between its leads and a spikey, offhandedly comic script by young writer-director John McKay put spice into Crush.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

After "Chocolat" and this, how about a moratorium on candy-centered comedies?Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Crush is that strange mixed bag -- an otherwise wretched movie in which an actress gets to do some of her best work.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

For women who smoke and drink like fiends, the trio of pre-owned babes in this weirdly rotten femme-porn romance have awfully good, unwrinkled complexions.Read the full review

The New York Times | Dave KehrAdd Critic to Favorites

The sudden, radical change of tone is something far beyond Mr. McKay's nascent abilities as a filmmaker, and Crush never really rights itself.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

The script's foolish contrivances crush its content.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Begins as a captivating romantic comedy and then, at the very moment it's most involving, takes a wholly gratuitous and disastrous swerve and just keeps on going from bad to worse.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Never good, Crush takes a turn for the worse when it takes a turn for the serious. Its attempt to drop cartoon comedy for cartoon tragedy essentially thrusts the characters from Cathy into the panels of Mary Worth.Read the full review

Track Your Favorite Critics | Start Now