The Dancer Upstairs Critic Reviews

Metascore®:

70 =
Based upon 15 Critic Reviews
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Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The movie has a mystery, and moral unease, that lingers. Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

Echoes its director's own deportment as a performer, alternating silky smoothness with burlap coarseness. Though Mr. Malkovich stays entirely behind the scenes, he creates a languorous but gripping story of people fighting to stay a step ahead of hopelessness. Read the full review

Variety | David RooneyAdd Critic to Favorites

The film is powered by a superbly controlled performance from Javier Bardem. While it lacks economy and could have used a firmer hand in shaping the key central relationship, this intelligent, arrestingly sober drama packs a cumulative punch.Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

If the screenwriter and director had followed their cinematic instincts fully, they would have collaborated on one of the more satisfying political thrillers in years; instead, they've managed to create three-quarters of one. Read the full review

Slate | David EdelsteinAdd Critic to Favorites

The film has a foggy cast to it--flat and insinuatingly creepy, like the actor. But then it can be lit, in an instant, by searing flash-pots of cruelty and wit. Even when it's slightly opaque, it's transfixing. Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

It has an elusive, haunting quality, but it's too long at 133 minutes, and there aren't many movies these days that get more involving as they progress.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Elegantly, even languorously, photographed by Jose Luis Alcaine, who doesn't punch into things but regards them, so that we are invited to think about them. That doesn't mean the movie is slow; it moves with a compelling intensity toward its conclusion.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Malkovich weaves something delicate and devastating. Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

It's not a great film, but in its reckless audacity -- an American director working from a British novel set in Latin America, dealing with the largest themes of Latin American art, politics and history -- it's reassuring. Someone's still willing to take a big chance. Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Ambitious and uneven.Read the full review

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