The Deep End of the Ocean Critic Reviews

Metascore®:

47 =
Based upon 13 Critic Reviews
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Variety | Emanuel LevyAdd Critic to Favorites

Michelle Pfeiffer and Treat Williams give such magnetic performances that they elevate the film way above its middlebrow sensibility and proclivity for neat resolutions.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Two films in one: an intriguing child-disappearance mystery and an uncommonly affecting domestic drama realized by four terrific central performances.Read the full review

Entertainment Weekly | Michael SauterAdd Critic to Favorites

If the film was less than satisfying as a big-screen event, it's still worth renting for Pfeiffer, who valiantly portrays the devastating complexities of grief and guilt.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Paced more like an action movie than a drama, and, when a pause finally occurs at the end credits, we realize that it hasn't been an altogether satisfying ride.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Ends up insisting on pat and overly tidy resolutions that are at variance with the emotional chaos it's nominally attempting to convey. [12 March 1999, Calendar, p.F-1]Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

Grosbard mercifully avoids melodrama -- the only real false notes are musical ones, from a score by Elmer Bernstein that turns familiar and trite when the film does not.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The film ultimately gives in to a case of TV-movie blahs.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

It's a classy but downbeat spin on the most familiar of TV-movie formulas.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

A painfully stolid movie that lumbers past emotional issues like a wrestler in a cafeteria line, putting a little of everything on his plate.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

I'm genuinely of two minds about the picture. I want to say it's subtle, but I also want to say it's heavy-handed. I want to say it's incisive, but I have too many problems with its psychological elisions to let it off the hook.Read the full review

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