The Departed Critic Reviews

Metascore®:

89 =
Based upon 15 Critic Reviews
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Washington Post | Ann HornadayAdd Critic to Favorites

Crackles right along, stopping only long enough for Scorsese's signature bursts of explosive violence. Those brawls feel a bit rote, but what's different here is a newfound playful humor.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

The film's score and editing brilliantly heighten the film's energy, keeping the audience somewhat off-kilter and unsure where things are headed.Read the full review

Slate | Dana StevensAdd Critic to Favorites

It's nice to see Scorsese back in the saddle and a treat to find a cops-and-robbers thriller with some energy and wit. But even so, it's a stylish head rush of a movie that flies by, even at two-and-a-half hours, and keeps turning the knife (and your stomach) up to the final scene.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The original film was gritty and entertaining ("Infernal Affairs"); the new version is a masterpiece - the best effort Scorsese has brought to the screen since "Goodfellas."Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

The screenplay, by William Monahan, is simply sensational. Scenes play brilliantly. Feelings flow like molten lava. The dialogue overflows with edgy wit and acidulous arias of imprecation.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Frequently excessive but never dull, The Departed is a little too much of a lot of the things that define Martin Scorsese films but it's also almost impossible to resist. Too operatic at times, too in love with violence and macho posturing at others, it's a potboiler dressed up in upscale designer clothes, but oh how that pot does boil.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

A ferociously entertaining film.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The very title The Departed suggests a James Joycean take on Irish-Catholic sentiment when, of course, this story is anything but: It's Scorsesean, and he's in full bloom.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

What helps make The Departed at once a success and a relief isn't that the director of "Kundun," Mr. Scorsese's deeply felt film about the Dalai Lama, is back on the mean streets where he belongs; what's at stake here is the film and the filmmaking, not the director's epic importance.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

There's no attempt at greatness here, just a fabulously successful attempt at a good crime movie. The Oscar-bait self-consciousness of "Gangs of New York" and "The Aviator" is gone. In its place is a buoyancy, an impish delight in telling a harsh urban story in the most effective terms possible.Read the full review

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