The Descent Critic Reviews

Metascore®:

75 =
Based upon 11 Critic Reviews
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Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The director of The Descent is savvy enough to suggest even more than he shows. And he's old-school enough to load up on glimpses of good, clean, gruesome gore.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

Neil Marshall's horrifically terrific The Descent cannily recasts 1972's "Deliverance" as a female-bonding thriller with some "Hills Have Eyes"-style mutant terror tossed in for truly harrowing effect.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

The Descent sustains a level of intensity that most horror films can barely muster for five minutes.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Prepare to be scared senseless, and then, when you think you have it figured, your certainty will be shaken by scenes built to scare you even more.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

A cult classic is born.Read the full review

San Francisco Chronicle | Peter HartlaubAdd Critic to Favorites

Marshall takes a modest budget and a concept that isn't all that original and produces a frightening, intelligent and sexy thriller.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

This one is a creepy white-knuckle excursion into horror, where even the "boo!" moments are so well developed that they cause a jolt.Read the full review

Variety | Derek ElleyAdd Critic to Favorites

The chills and spills keep comin' to agreeable effect in Brit-made scarefest The Descent.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

What follows is a sensationally entertaining escalation of frights, the kind that make you wiggle and squirm as you alternately laugh at your own gullibility and marvel at the filmmaker's cunning and craft.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

Marshall keeps the film lean and focused. He does have a nice taste for horror imagery.Read the full review

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