The Duchess Critic Reviews

Metascore®:

67 =
Based upon 14 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

At a certain point, The Duchess stops attending to the topiary and becomes a women's melodrama instead.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

This is not one of those delightful movies based on a Jane Austen novel. It is about hard realists, constrained in a stifling system and using whatever weapons they can command.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Fiennes speaks with his body what the script cannot formulate about what it's like to be a man apart. The actor creates particulars of time, space, class, and personality with one crook of a finger, one twist of a wrist. I call that nobility of craft; he's the actors' prince.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Even surrounded by all this quality work, Ralph Fiennes, who plays William Cavendish, the fifth duke of Devonshire, the most powerful man in England next to the king, walks off with the picture.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

It has impeccable production values but feels like a "Masterpiece Theater" production of a Harlequin romance novel.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

It's Knightley who makes The Duchess a royal treat.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

It tells the amazing, but mostly true, story of a late-18th century aristocrat who made an indelible mark on English society akin to that of her direct descendant, Lady Diana.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

Keira Knightley is a terrific choice to play the 18th century socialite.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

An overstuffed, intellectually underbaked portrait of a poor little rich girl.Read the full review

The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites

Thoroughly populist and middlebrow, full of all the high wigs, thick powder, perfect diction, and straightforward dialogue that define bodice-ripping prestige pictures about silently suffering souls.Read the full review

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