The Edge of Heaven (Auf der anderen Seite) Critic Reviews

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The New York Times | A.O. ScottAdd Critic to Favorites

By the end you know the characters in it so well that you can't believe you've seen the movie only once, yet on a second viewing it seems completely new. And that may be because the world they inhabit is immediately recognizable -- until we get to heaven, it's where we live -- and like no place you've been before.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

Oropelled by memorable performances by mostly unknown actors. The most famous of the ensemble, Hanna Schygulla, delivers a by turns serene and shattering performance as a mother struggling with loss, conscience and the first glimmers of unexpected connection. She's only one essential and unforgettable part of a flawless whole.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

A story about generational expectations and cultural shifts, The Edge of Heaven raises questions it can't answer, which makes it only more powerful.Read the full review

Variety | Derek ElleyAdd Critic to Favorites

Superbly cast drama, in which the lives and emotional arcs of six people -- four Turks and two Germans -- criss-cross through love and tragedy.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The Edge of Heaven is marked by a number of remarkable performances.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Mr. Akin's film is so full of life that it leaves you breathless.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The experience of seeing this film is cumulative, sober and profound.Read the full review

The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites

Akin divides The Edge Of Heaven into thirds, and ends the first two sections with emotionally devastating scenes of violence, before easing into a third section that deals with the repercussions and lessons learned.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Hopping from Germany to Turkey and back again, Akin is out to capture the ways that a globalized world can tear up our hearts, and repair them, too.Read the full review

The Hollywood Reporter | Ray BennettAdd Critic to Favorites

The director, who also wrote the script, achieves a keen-eyed view of the Turkish expatriates in this film while sustaining his remarkable ability to make them universal.Read the full review

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