The Eye (2003) Critic Reviews

Metascore®:

70 =
Based upon 10 Critic Reviews
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Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Part supernatural thriller, part Oliver Sacks-style meditation on the neurological mysteries of perception, and part Buddhist treatise on reincarnation, the story luxuriates in shadows.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Rarely has the basic nature of visual perception seemed so frightening. Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

The Pang brothers bring you into a surrealistically memorable ghost world of the beyond. It's also refreshing to have two forceful young women (Mun and Ling) at the center of the story. Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

Their (filmmakers Oxide and Danny Pang) sense of pacing is nicely arrhythmic, which makes the "boo" moments all the more heart-thudding, but what's even more pleasurable are the pockets of quiet, those lacuna of low-frequency dread when nothing much happens.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

Although almost nothing about The Eye is surprising, the movie is nevertheless engrossing, as it mutates from horror movie to ghost story to psychological drama to disaster flick (a late, stunning twist). It casts a spell strong enough that viewers won't want to look away. Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The Pangs deliver enough shivery scares to keep you up nights. Eyes wide shut. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

This is the kind of movie you happen across on TV, and linger to watch out of curiosity, but its inspired moments serve only to point out how routine, and occasionally how slow and wordy, the rest of it is. Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

For a while, it's a dark, insubstantial treat.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Much of the action is interesting, and surprisingly well grounded in science...Yet the script works few variations on its basic idea until the climax, which is crazily out of scale -- the urban-traffic equivalent of a nuclear holocaust. Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Like the horror-flick hacks who infest Hollywood like termites, the Pangs don't build suspense, they assault the senses with twitchy photography and Danny's editing. Read the full review

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