The Fountain (2006) Critic Reviews

Metascore®:

52 =
Based upon 15 Critic Reviews
See all The Fountain (2006) reviews at
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The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Viewers not attuned to his (Aronofsky's) heartfelt, bombastic Richard Wagner-by-way-of-"2001: A Space Odyssey" lyricism might be better off looking elsewhere. But they'll never see anything else quite like it.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

I'm as touched and charmed by its failures as I am transfixed, at times, by its successful inventiveness and audacity.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

A noble, shipwrecked folly.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

When a film telling three stories and spanning thousands of years has a running time of 96 minutes, scenes must have been cut out. There will someday be a Director’s Cut of this movie, and that’s the cut I want to see.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

In telling a tale of love across time, Aronofsky is sometimes guilty of creating arty, pretentious psychobabble. But in visual terms, he's trying to expose his own raw, romantic heart. Folly? Maybe. But a risk worth taking.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The overall experience fails to satisfy on a basic level. This is one of those films it's easier to be impressed with than it is to like.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

The problem, though, is that its techniques run too far beyond its ideas, which are blurry and banal, rather than mysterious and resonant. The Fountain is something to see, but it is also much less, finally, than meets the eye.Read the full review

Slate | Dana StevensAdd Critic to Favorites

With The Fountain, Aronofsky has become the hero of "Pi," without the desistance or the humility. He not only wants to ask the big questions, he tries to tie it all up with The Big Answer. And that's worse than bad metaphysics, it's bad filmmaking.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

Bloated and logy, and art-directed within an inch of its life, the movie shovels heaps of phony portent and all-purpose mystical imagery onto a thin and maudlin plot.Read the full review

The Hollywood Reporter | Ray BennettAdd Critic to Favorites

Jackman does everything required of him, and his range is quite admirable, while Weisz, who has nothing to prove, does looking gorgeous very nicely.Read the full review

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