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Based on 13 Reviews
critic reviews (10)
fan reviews ( )
  • 38
    Elizabeth Weitzman New York Daily News

    Hartley's satire of consumer-driven sexuality is undermined by the straight-faced decision to cast affectless model Tatiana Abracos as the heroine. show more

  • 75
    David Sterritt Christian Science Monitor

    There's heavy influence from the "Brave New World" brand of dystopian fantasy, but engaging performances and a stylized visual approach lend it originality. show more

  • 63
    V.A. Musetto New York Post

    Not one of Hartley's most successful efforts, but it's witty, daring, different and a welcome alternative to Hollywood pap. show more

  • 50
    Wesley Morris Boston Globe

    Numbing story. show more

  • 50
    Maitland McDonagh TV Guide

    Hartley's score is lovely and he makes excellent use of digital video, but the film's paucity of provocative ideas is its undoing. show more

  • 20
    Film Threat

    A profoundly unnecessary movie, The Girl From Monday is an embarrassment. show more

  • 75
    Sean Axmaker Seattle Post-Intelligencer

    Hartley's soft spot for offbeat romances is trumped by irony and sloganeering dialogue. show more

  • 50
    M. E. Russell Portland Oregonian

    As satire, it doesn't add up -- but it's an admirable, if dull, experiment. show more

  • 70
    Jonathan Rosenbaum Chicago Reader

    Flaky, funny, and sexy. show more

  • 60
    Scott Tobias The A.V. Club

    There's ample opportunity here for a sharp consumerist satire, like a dryer cousin to the candy-colored pop-culture send-up “Josie And The Pussycats,” but Hartley misses his own joke. show more

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