The Hulk Critic Reviews

Metascore®:

57 =
Based upon 16 Critic Reviews
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ReelViews | James BerardinelliAdd Critic to Favorites

Hulk represents the most involving superhero motion picture since "Superman" soared skywards in 1978. By taking its time to develop characters and situations, Hulk does what so many action/adventure movies fail to do -- allow us to really feel for the protagonists. Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

Hits on all cylinders -- a smart blend of acting, direction, editing, design, costumes and effects. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Ang Lee has boldly taken the broad outlines of a comic book story and transformed them to his own purposes; this is a comic book movie for people who wouldn't be caught dead at a comic book movie.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Lee's technique is impeccable, but he's chasing more inner demons than one creature feature can handle. No wonder the audience cheers when TV Hulk Lou Ferrigno shows up for a cameo. It's a reminder of a time when it was easier being green and a Hulk could just get pissed off and bust shit up. Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Takes the form of a wounded behemoth, battling to negotiate a compromise between a strong artistic vision and franchise expectations. It doesn't fully succeed on either count, but its integrity and substance stand out like an oasis in a field of cotton candy. Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

This impeccably crafted piece of megabuck fantasy storytelling aims to pull off the tricky feat of significantly reworking the superhero format while still providing the expected tentpole-type entertainment thrills for the international masses.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

In the end, we don't know what we're watching, an art-house superhero film or a computer-generated "King Kong." By trying to please both sensibilities, the filmmakers have pleased neither. Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

However nifty, Lee's Cubist gambit fails to capture the graphic tension that makes great comic-book art jump off the page and great pop movies jump off the screen with pow, zap and wow! Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

To answer your first question: like a cross between Shrek, the Frankenstein monster, and a Rock 'Em Sock 'Em Robot. Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

There's a fine line between darkness and glumness, one that "Spider-Man" bounced off buildings to avoid. The Hulk lumbers across it.Read the full review

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