The Ice Storm Critic Reviews

Metascore®:

79 =
Based upon 13 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

What we sense after the film is that the natural sources of pleasure have been replaced with higher-octane substitutes, which have burnt out the ability to feel joy. Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

This emotional climax of the film, with its warring glints of despair and hope, typifies the stunning achievement of The Ice Storm and confirms Lee as a director of the first rank.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Provocative, entertaining, and impeccably crafted.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

A harsh (though slightly toned down from Moody's book), deeply moving, emotionally rich and intelligent film about the difficulty of rebelling against social restrictions--and the inescapable consequences of such attempts when they do succeed--The Ice Storm should not be missed.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

Elegant and deeply disquieting drama. Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Kevin Kline is sweetly befuddled as a good man caught between worlds, and Sigourney Weaver, as a hard, sexy adulteress, makes her wit sting. Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

A well-observed and deftly performed examination of upper-middle-class emotional deep freeze, The Ice Storm is an intelligent, adult American film. Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

This time, he (Ang Lee) has Kevin Kline, Joan Allen and Sigourney Weaver trudging through ice both emotional and literal -- an omnipresent metaphor but not one unduly sledgehammered. [26 September 1997, pg. 1 D}Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

Never becomes the thoroughly satisfying psychological drama that it promises to be. There's also a problem with the central metaphor of ice -- a literary device that turns repetitive and obvious.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

The decade has been fondly spoofed in capers like "The Brady Bunch," but Lee's film takes a much more searing, if initially hilarious look at the sexual revolution's migration to a New England suburb and the community's subsequent meltdown. [17 October 1997, p.D6]Read the full review

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