The Ice Storm Critic Reviews

Lee views these mortal fools with a sorrowful detachment. He's a sort of clinical humanist, editorializing only by what he leaves out. The downside of this method is its impersonality, which limits our involvement. The upside is its lack of cheap sentiment, and its clarity. Read the full review

Unfortunately, the drama operates on a see-through, easily shatterable metaphor: the frigidity of the WASP soul. [17 October 1997, p.N32]Read the full review

Never becomes the thoroughly satisfying psychological drama that it promises to be. There's also a problem with the central metaphor of ice -- a literary device that turns repetitive and obvious.Read the full review

Elegant and deeply disquieting drama. Read the full review

Provocative, entertaining, and impeccably crafted.Read the full review

A harsh (though slightly toned down from Moody's book), deeply moving, emotionally rich and intelligent film about the difficulty of rebelling against social restrictions--and the inescapable consequences of such attempts when they do succeed--The Ice Storm should not be missed.Read the full review

As frigid as its name. Burdened with a story of some of the world's least interesting people going through a holiday crisis, director Ang Lee and screenwriter James Schamus get as close as any creative team could to making matters involving, but the task is finally too much for them. Read the full review

This time, he (Ang Lee) has Kevin Kline, Joan Allen and Sigourney Weaver trudging through ice both emotional and literal -- an omnipresent metaphor but not one unduly sledgehammered. [26 September 1997, pg. 1 D}Read the full review

Kevin Kline is sweetly befuddled as a good man caught between worlds, and Sigourney Weaver, as a hard, sexy adulteress, makes her wit sting. Read the full review