The Invasion (2007) Critic Reviews

Metascore®:

56 =
Based upon 13 Critic Reviews
See all The Invasion (2007) reviews at
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Variety | Dennis HarveyAdd Critic to Favorites

A slick but forgettable, characterless thriller.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The mismatched blending of Hirschbiegel's low-key horror and the Wachowski Brothers' anything-but-low-key action sequences results in a cinematic dud.Read the full review

Wall Street Journal | Joanne KaufmanAdd Critic to Favorites

Except for one terrifically adroit sequence in a subway, there is nothing understated about The Invasion. With all the shoot-outs, the screaming, the chases, collisions and fireballs, there isn't much time for storytelling.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Opting for car chases instead of the thought-provoking ideas of its predecessors, the film looks like the work of, if not pod people, folks who gave up any kind of passion for the material long before the cameras started to roll.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Still effectively creepy and surprisingly unnerving despite the occasional misstep and rumors of a troubled production, the new film illustrates why and how the power of the original story remains undiminished more than half a century after its creation.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

An involving sci-fi action-thriller, probably longer on chase sequences than the original director wanted and shorter on the "ick" factor than the studio wanted.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

Whatever the case, The Invasion lurches and drags and teeters on the brink of death from scene to scene; it plays as if it had been made by someone in a trance, though not a cool one.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Connects on a gut level in two ways, political and existential.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The movie isn't terrible; it's just low-rent and reductive.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Here is a great story born to be creepy, and the movie churns through it like a road company production. If the first three movies served as parables for their times, this one keeps shooting off parable rockets that fizzle out.Read the full review

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