The Limits of Control Critic Reviews
Metascore®:
Based upon 14 Critic ReviewsHighest Rated
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A little like guided meditation with suggestions floated, waiting, left untethered. It's up to you to distill meaning -- which will leave some convinced the director is merely self-indulgent, and others deeply satisfied.Read the full review
A nondramatic work best appreciated as a pure image-and-sound event.Read the full review
Too much of The Limits Of Control feels canned and airless, so stifled by Jarmusch's obsessions that it loses all sense of surprise.Read the full review
Even the great ones hit snags. With The Limits of Control, Jim Jarmsuch gets tangled up in his own deadpan.Read the full review
While The Limits of Control offers some picturesque photography and grist for thought, it is ultimately too much like The Emperor's New Clothes to warrant anything approaching enthusiasm. The message is banal and the means by which it is presented reeks of artifice and pretention.Read the full review
Unfortunately, the whole seldom adds up to the sum of its illustrious parts, and Jarmusch's trademark deadpan quirks seem to have gotten lost in the translation.Read the full review
The Limits of Control, even with its flow of star cameos (Tilda Swinton, Gael GarcĂa Bernal, a frenetic Bill Murray), is a listless long pause that rarely refreshes.Read the full review
Worst of all, it just feels tired and recycled.Read the full review
Jarmusch has come up with a dud.Read the full review
It might be that Jarmusch (Broken Flowers) is experimenting with creating a pastiche of dreamlike sequences that audiences can interpret as they wish. Or it may be merely pretension and hubris that fuels such a stylized and insubstantial story.Read the full review