The Nanny Diaries Critic Reviews

Metascore®:

50 =
Based upon 14 Critic Reviews
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The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

The film belongs to Linney, whose caustic putdowns and status-seeking veneer barely hides her genuine hurt over her husband's philandering and her distant relationship to her own child. No doubt her diaries would be more compelling than the nanny's.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The movie itself is sort of bland and obvious and comfortable.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Weak dramatically, and that limits its overall effectiveness.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

The very rich are different from you and me. And much worse. That's basically the message of the disappointingly banal Nanny Diaries, a film that is even more lightweight and clichéd than the fluff that was the best-selling book.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Watching the movie is a nonexperience--like the Upper East Side apartment where most of the action takes place, it's lavishly appointed but joyless.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

The movie's banal fantasies badly chafe any anthropological consideration of what a girl should do with her career. This isn't life. It's Lifetime.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

The social bite of the popular novel fades into a generic chick flick.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The comedy has several inspired moments and a genuine flair for the satiric, but overall the film leaves you cold.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

Because The Nanny Diaries is essentially a two-character story whose supporting players are wooden props, it would help if the actors playing the two were evenly matched. But Ms. Johansson’s Annie, who narrates the movie in a glum, plodding voice, is a leaden screen presence, devoid of charm and humor.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

Linney -- this has happened too much to her -- is once again the best thing in a movie that at most achieves a certain mediocrity.Read the full review

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