The Notebook Critic Reviews
Metascore®:
Based upon 15 Critic Reviews- Highest Rated
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- Favorite Critics
Considering the sunny, relatively pleasurable romantic business that precedes it, the elderly stuff seems dark, morbid, and forced upon us. Read the full review
The director is Nick Cassavetes, son of Gena Rowlands and John Cassavetes, and perhaps his instinctive feeling for his mother helped him find the way past soap opera in the direction of truth. Read the full review
You know what you want to see if you want to see The Notebook...You want to see girls in pretty 1940s dresses, soldiers in stirring World War II uniforms, handsome automobiles and equally handsome Southern landscapes. You want to see romance overcome adversity.Read the full review
Cassavetes isn't much of a director and he never settles on a mood, which he seems intent on ruining with hiccups of goofiness. But there's an underlying humanity to his scenes, a sense that movies are made by people for other people. Read the full review
Sadly, the elements that made the book special did not survive the transition to the screen. Read the full review
I have the same allergic reaction to this open faucet of tear-jerking swill as I do to the 1996 Nicholas Sparks novel that inspired it.Read the full review
An old-fashioned and occasionally schmaltzy movie that delivers an emotional wallop Read the full review
Mercilessly plodding pacing, problematic character motivations and a fundamental lack of chemistry between the two star-crossed lovers in question don't do a lot to help its cause. Read the full review
The scenes between the young lovers confronting adult authority have the same seething tension and lurking hysteria that the young Warren Beatty and Natalie Wood brought more than 40 years ago to their roles in "Splendor in the Grass."Read the full review
Opening shots tend to say a lot about a movie, but they say everything about The Notebook, a glossy adaptation of Nicholas Sparks' four-hanky sudser. Read the full review