The Notorious Bettie Page Critic Reviews

Metascore®:

68 =
Based upon 15 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Gretchen Mol is finally the key to the mysterious appeal of the film, to its sweetness and sadness.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The movie, in a sense, is just like Bettie's photos: all glorious surface. The Notorious Bettie Page captures, with seductive finesse, how Bettie Page happened, yet what it leaves us with is the tantalizing enigma of a girl who couldn't truly be ''bad'' because she made sex divinely delicious.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Mol nails it, in a performance that should earn her a comeback on a Heath Ledger-like scale.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Floats on the charm and the labors of its lead actress, Gretchen Mol, who single-handedly makes the picture worth seeing.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Harron needed just the right actress to play Bettie. And she lucked out big time. Gretchen Mol (The Shape of Things) is hot stuff in every sense of the term. She delivers the first performance by an actress this year that deserves serious Oscar consideration.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The film takes a little time to explore the political landscape of the time, and features an Oscar-worthy lead performance.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

Principally a work of gorgeous surfaces, shot mostly in silvery black-and-white film by the cinematographer Mott Hupfel, with an occasional splash of saturated color.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

Director Mary Harron may have more courage than talent -- and she's got a lot of talent. It's too bad Bettie's story isn't more dramatic.Read the full review

Slate | Troy PattersonAdd Critic to Favorites

Harron, working from a script she wrote with Guinevere Turner, doesn't solve the inherent problems of that narrative, but she evades them quite elegantly. She's made a poem instead of a biopic, an ode to intuition, iconography, seamed stockings, and star power.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

It's a handsome, often funny piece of work with a nearly fatal inability to settle on a tone.Read the full review

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