The Opposite of Sex Critic Reviews

Metascore®:

68 =
Based upon 12 Critic Reviews
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Washington Post | Stephen HunterAdd Critic to Favorites

It's a terrific movie.Read the full review

Los Angeles Times | Kristine McKennaAdd Critic to Favorites

A brilliantly written black comedy in the tradition of "To Die For" and "Flirting With Disaster," The Opposite of Sex was worth the wait.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The kind of daring feature that doesn't open every Friday at the local multiplex; its frank, sometimes politically incorrect approach towards the act and politics of sex is refreshing.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

What redeems the film's surface bitterness are sharp observations, laceratingly funny dialogue and something Dedee claims to find especially loathsome: a secret heart of gold.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

A truly unformulaic comedy of lust and greed, a farce that seems to write itself, slap-happily, as it goes along.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The De-Dee character subverts those expectations; she shoots the legs out from under the movie with perfectly timed zingers.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

The best scenes are of people talking -- and that's not just because the lines are so good. Roos doesn't seem to know what to do with his characters when they aren't blabbing.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Roos’ talent for vivid, jump-off-the-screen dialogue remains unquestioned, but his direction is considerably more spotty.Read the full review

USA Today | Susan WloszczynaAdd Critic to Favorites

The opposite of entertainment, a self-satisfied soap opera from hell. But anyone itchy to see Ricci in her fleshy glory will adore her femme fatale for the Jerry Springer age, a Stanwyck stoked on steroids and SweeTarts.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Traffics in the coyly blasphemous, aren't-we-dysfunctional family-disaster chic that has become the single most annoying trend in independent filmmaking.Read the full review

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