The Passion of the Christ Critic Reviews
Metascore®:
Based upon 16 Critic ReviewsHighest Rated
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This is not a sermon or a homily, but a visualization of the central event in the Christian religion. Take it or leave it. Read the full review
A gripping, powerful motion picture -- arguably the most forceful depiction of Jesus' death ever to be committed to film. It leaves an indelible imprint on the psyche; viewers of this movie may never look at a crucifix in quite the same way. Read the full review
If an age produces the renditions of classic stories that reflect those times, then The Passion of the Christ, which is violent, contentious, emotional, extreme and highly proficient, must be the Jesus movie for this era.Read the full review
There is enlightenment -- even stark poetry -- in The Passion. Read the full review
Powerfully moving and fanatically obtuse in equal doses. The typical star rating doesn't apply, because scenes range from classic to poor and all stops in between. Read the full review
Tempting as it may be to dismiss Mel Gibson as a glorified pain freak, dressing up a martyrdom fantasy in Aramaic and Latin, it would be more accurate, I think, to say that the filmmaker, a Catholic fundamentalist, presents his torture-racked vision of Jesus' last 12 hours on earth as a sacred form of shock therapy. Read the full review
Seems to be exactly the movie Mel Gibson wanted to make as an abiding profession of his traditionalist Catholic faith. On that score it is a success. Read the full review
Even within what often looks like a self-indulgent exercise in humiliation, pain and gratuitous gore, there is no denying the moments of genuine and powerful feeling in The Passion of the Christ -- some of which, by the way, evoke Jesus's most profound teachings of Jewish principles. Read the full review
The Passion of the Christ should have left audiences in a state of exaltation. Instead it just leaves audiences exhausted.Read the full review
In effect, aspects of Gibson's creative makeup -- his career-long interest in martyrdom and the yearning for dramatic conflict that make him an excellent actor, coupled with his belief in the Gospels' literal truth -- have sideswiped this film. What is left is a film so narrowly focused as to be inaccessible for all but the devout. Read the full review