The Phantom of the Opera (2004) Critic Reviews
Metascore®:
Based upon 16 Critic ReviewsHighest Rated
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I am recommending a movie that I do not seem to like very much. But part of the pleasure of moviegoing is pure spectacle -- of just sitting there and looking at great stuff and knowing it looks terrific. There wasn't much Schumacher could have done with the story or the music he was handed, but in the areas over which he held sway, he has triumphed.Read the full review
Scotsman Gerard Butler does a fine job as the charismatic, ghostly character.Read the full review
Phantom, still running on Broadway after sixteen years, is a rapturous spectacle. And the movie, directed full throttle by Joel Schumacher, goes the show one better.Read the full review
Sumptuous pic version, which evokes the original show while working as a movie in its own right, is lit by a radiant, vocally lustrous perf by teenaged Emmy Rossum.Read the full review
Isn't just for music fans. It's more accessible than that, thanks to Joel Schumacher's bright direction and a few storytelling embellishments.Read the full review
It's gorgeous nonsense to look at, and in director Joel Schumacher's hands, "Phantom" emerges as one of those queer works of art that actually improve somehow as they get tackier and more removed from the original.Read the full review
What the film most damagingly lacks though is a sense of mystery and danger.Read the full review
The result isn't liberated from the stage; it's trapped, with waxworks literalness, onscreen.Read the full review
With Lloyd Webber onboard not just as composer but also co-screenwriter and producer, the film seemed destined to stay true to its roots rather than attempt to transcend them.Read the full review
Ultimately, however, appreciation of The Phantom of the Opera will hinge upon your opinion of Lloyd Webber's skills as a composer.Read the full review