The Phantom of the Opera (2004) Critic Reviews

Metascore®:

51 =
Based upon 16 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

It has a little something to irritate everybody. People looking for romance will find only cardboard lovers. People looking for a resounding musical will find it odd that the camera runs away from the lip-synching cast. And people looking for opera -- well, shame on you.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

I am recommending a movie that I do not seem to like very much. But part of the pleasure of moviegoing is pure spectacle -- of just sitting there and looking at great stuff and knowing it looks terrific. There wasn't much Schumacher could have done with the story or the music he was handed, but in the areas over which he held sway, he has triumphed.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The result isn't liberated from the stage; it's trapped, with waxworks literalness, onscreen.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

The real problem with "Phantom" is the problem with Andrew Lloyd Webber musicals in general. It's a slow-moving orgy of lowbrow grandiosity that's as tedious as it is overblown and pretentious.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Ultimately, however, appreciation of The Phantom of the Opera will hinge upon your opinion of Lloyd Webber's skills as a composer.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Phantom, still running on Broadway after sixteen years, is a rapturous spectacle. And the movie, directed full throttle by Joel Schumacher, goes the show one better.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

With Lloyd Webber onboard not just as composer but also co-screenwriter and producer, the film seemed destined to stay true to its roots rather than attempt to transcend them.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

Made for the most excruciating two-and-a-half hours I've ever spent in a theater.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

What the film most damagingly lacks though is a sense of mystery and danger.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Lord Lloyd Webber's thorough acquaintance with the canon of 18th- and 19th-century classical music is not in doubt, but his attempt to force a marriage between that tradition and modern musical theater represents a victory of pseudo-populist grandiosity over taste - an act of cultural butchery akin to turning an aviary of graceful swans and brilliant peacocks into an order of Chicken McNuggets.Read the full review

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