The Phantom of the Opera (2004) Critic Reviews

Metascore®:

51 =
Based upon 16 Critic Reviews
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Los Angeles Times | Carina ChocanoAdd Critic to Favorites

The real problem with "Phantom" is the problem with Andrew Lloyd Webber musicals in general. It's a slow-moving orgy of lowbrow grandiosity that's as tedious as it is overblown and pretentious.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

Scotsman Gerard Butler does a fine job as the charismatic, ghostly character.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Lord Lloyd Webber's thorough acquaintance with the canon of 18th- and 19th-century classical music is not in doubt, but his attempt to force a marriage between that tradition and modern musical theater represents a victory of pseudo-populist grandiosity over taste - an act of cultural butchery akin to turning an aviary of graceful swans and brilliant peacocks into an order of Chicken McNuggets.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

Made for the most excruciating two-and-a-half hours I've ever spent in a theater.Read the full review

Variety | Derek ElleyAdd Critic to Favorites

Sumptuous pic version, which evokes the original show while working as a movie in its own right, is lit by a radiant, vocally lustrous perf by teenaged Emmy Rossum.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Isn't just for music fans. It's more accessible than that, thanks to Joel Schumacher's bright direction and a few storytelling embellishments.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Ultimately, however, appreciation of The Phantom of the Opera will hinge upon your opinion of Lloyd Webber's skills as a composer.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

An experience best likened to being battered by hurricane-force winds generated by an organ with all stops pulled permanently out.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

What the film most damagingly lacks though is a sense of mystery and danger.Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

Adding an additional layer of cheese to a project that already reeks hopelessly of Velveeta, Schumacher pumps up the empty spectacle, stranding his fetching-but-lifeless mannequins amid giant sets and overblown production numbers.Read the full review

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