The Player (1992) Critic Reviews

Metascore®:

93 =
Based upon 9 Critic Reviews
See all The Player (1992) reviews at
Sorted by:
Washington Post | Hal HinsonAdd Critic to Favorites

The film, which begins with a single, gorgeously sustained eight-minute camera move, is blissfully out of touch with contemporary trends in moviemaking...surprising, both in style and narrative.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Joins company with "Sullivan's Travels" and "Sunset Boulevard" as the quintessential Hollywood peek-a-boos...[and] Tim Robbins' modulated performance rates rhapsodic praise. [10 Apr 1992]Read the full review

Wall Street Journal | Julie SalamonAdd Critic to Favorites

This brilliant satire, styled as a murder mystery, is the best insider's view of Hollywood since "Sunset Boulevard." [15 Dec 1992, p.A16(E)]Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

A rare commodity. It's brilliant and a guilty pleasure. A subtle damning of things Hollywood, Robert Altman's seriocomedy slices its target with a thousand, imperceptible razor cuts.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

Remarkable also for the uniform excellence of its cast, and for the pleasure [Altman's] actors take in the wide berth he allows them. [24 Apr 1992]Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The film is sublime entertainment, at once ticklish and suspenseful, cynical and sincere. By its very existence, Altman's comedy about the death of Hollywood lets you know that movies are still alive and kicking.Read the full review

The New York Times | Vincent CanbyAdd Critic to Favorites

So entertaining, so flip and so genially irreverent that it seems to announce the return of the great gregarious film maker whose "Nashville" remains one of the classics of the 1970's.Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Mercilessly satiric yet good-natured, this enormously entertaining slam dunk quite possibly is the most resonant Hollywood saga since the days of "Sunset Blvd." and "The Bad and the Beautiful."Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Even when Griffin has a heart of stone, Tim Robbins is lacking in the knid of ice-cold magnetism that allows a thorough bastard to hold the screen like nobody's business. [10 Apr 1992]Read the full review

Track Your Favorite Critics | Start Now