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Washington Post
The film, which begins with a single, gorgeously sustained eight-minute camera move, is blissfully out of touch with contemporary trends in moviemaking...surprising, both in style and narrative. Full Review
Desson Thomson
Washington Post
A rare commodity. It's brilliant and a guilty pleasure. A subtle damning of things Hollywood, Robert Altman's seriocomedy slices its target with a thousand, imperceptible razor cuts. Full Review
Edward Guthmann
San Francisco Chronicle
Remarkable also for the uniform excellence of its cast, and for the pleasure [Altman's] actors take in the wide berth he allows them. [24 Apr 1992] Full Review
Hal Hinson
Washington Post
The film, which begins with a single, gorgeously sustained eight-minute camera move, is blissfully out of touch with contemporary trends in moviemaking...surprising, both in style and narrative. Full Review
Julie Salamon
Wall Street Journal
This brilliant satire, styled as a murder mystery, is the best insider's view of Hollywood since "Sunset Boulevard." [15 Dec 1992, p.A16(E)] Full Review
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