The Reckoning (2004) Critic Reviews

Metascore®:

53 =
Based upon 13 Critic Reviews
See all The Reckoning (2004) reviews at
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San Francisco Chronicle | Carla MeyerAdd Critic to Favorites

Celebrates the craft of acting both in its story and in fine performances. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Has just a little too much of the whodunit and the thriller and not enough of the temper of its clash between cultures, but it works, maybe because the simplicity of the underlying plot is masked by the oddness of the characters. Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The Reckoning, with a script by Mark Mills, demands close attention; it's a play of words and ideas crowding for consideration.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

A beguiling, multilayered drama.Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

The Reckoning isn't great by any means and there are moments during the final stretch when it isn't even good. But for its first hour or so, the story moves at a steady clip, generating enough mystery to keep you guessing and enough atmosphere to keep you interested.Read the full review

Variety | Lael LoewensteinAdd Critic to Favorites

Has its flaws, among them a certain self-righteousness and a complicated storyline, but it is never less than gripping thanks to its gifted international cast.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

By any reckoning, director Paul McGuigan and writer Mark Mills seem mighty ground down trying to buck these medieval odds. Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

The movie has none of the embarrassing absurdity and cheap effects that made last year's trip back to the 14th century, "Timeline,'' such a joke. We should be so lucky. Instead, we get a listless avenger drama.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Trudges along the well-trod path of high-minded, schematic storytelling. Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Maddeningly dull. It works on the cerebrum while the rest of the body drifts off to sleep, and the dullness only intensifies as the film goes on.Read the full review

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