The Saddest Music in the World Critic Reviews

Metascore®:

80 =
Based upon 11 Critic Reviews
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San Francisco Chronicle | Carla MeyerAdd Critic to Favorites

The concept is high, the humor lowbrow and the joy of experimentation evident in every frame of this wonderful picture. Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Hard to say who's luckier -- those who have seen the work of Canadian filmmaker Guy Maddin before and know what to expect, or those who haven't and for whom The Saddest Music in the World serves as an eye-popping introduction.Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

It's all terribly tortured, often laugh-out-loud, absurdly funny and, as with all of Maddin's movies, conveyed through images that are as lush and beautifully over the top as the story's emotions.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The effect is strange and delightful; somehow the style lends quasi-credibility to a story that is entirely preposterous.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Maddin's movies are easy, too. Point your eyes at the screen; the magic follows.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Like most great musicals, though, this one slides, with breathtaking ease, from silliness to pathos and freely mixes exquisiteness and absurdity.Read the full review

Variety | David RooneyAdd Critic to Favorites

Almost as much an art piece as a film, this playful Prohibition-era tale is visually inventive and initially amusing but, at feature length, becomes somewhat wearing in its cacophonous eccentricity.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Maddin films have a higher rate of invention per frame than the majority of his peers can muster.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

This exercise in style and tongue-in-cheek melodrama from Canada's iconoclastic Guy Maddin will be lionized by admirers for its audacity, but will wear thin for many audience members, who will find it tedious and repetitive.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

Any film where a beer baroness's glass leg (filled with beer) shatters when a high note is struck is okay by me. Read the full review

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