The Saint (1997) Critic Reviews

Metascore®:

53 =
Based upon 11 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Compared with the sensational stunts and special effects in the Bond series, The Saint seems positively leisurely. The fight scenes go on too long and are not interesting, the villains aren't single-minded enough, and the Saint seems more like a disguise fetishist than a formidable international operative. Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Top-heavy with whimsy, so muddled it makes Mission: Impossible look like a model of narrative cohesion, The Saint is the apo-theosis of the new incoherence, with the cliches of espionage and action thrillers jammed together like bumper cars.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

For the future, the Saint is such an unpleasant and predatory manipulator, it's difficult to root for romance. And when Kilmer's mightily convincing Ice King begins to melt, it's so out of character with what's gone before that its believability is touch and go. Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The Saint is more of a character-based thriller than a strict stunts-and-explosions film, which is a good thing because the action sequences are mostly flat and obligatory. Even when he generates a degree of tension, director Phillip Noyce (Patriot Games, Clear and Present Danger) is unable to sustain it, and the disappointing ending is not only long and drawn out, but lacks a sense of closure.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The Saint leaves star Val Kilmer and director Phillip Noyce (Patriot Games) fighting to enliven an exhausted character.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

Kilmer dons 12 disguises in all, polishes them with impeccable accents and pliable postures and gives a performance that's far and away the best aspect of the diverting The Saint.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

The film is too metronomically paced for Kilmer's routines to develop any rhythm. The direction by Phillip Noyce is fluid but impersonal. Endless studio tinkering seems to have dissolved its spine.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

Loud, frantic, ridiculously overproduced and featuring a preening performance by Val Kilmer as a supposedly brilliant master of disguise, The Saint is sheer overkill.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

A generic suspenser that doesn't taste bad at first bite but becomes increasingly hard to swallow, The Saint comes off more as a pallid imitation of Paramount's Eurothriller "Mission: Impossible" than as anything resembling the further adventures of Leslie Charteris' charming rogue.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Though he is a master thief with a heart of gold, the new Templar has all the charm of one of those ladies behind the counter at the Department of Motor Vehicles.Read the full review

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