The Salton Sea Critic Reviews

Metascore®:

45 =
Based upon 13 Critic Reviews
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Boston Globe | Sam AllisAdd Critic to Favorites

A commercial Hollywood movie without pretensions. If there's no art here, it's still a good yarn - which is nothing to sneeze at these days.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

It contains one element of startling originality: its bad guy, nicknamed Pooh-Bear and played by Vincent D'Onofrio in a great weird demented giggle of a performance; imagine a Batman villain cycled through the hallucinations of "Requiem for a Dream."Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

A twisty, showy, atmosphere-saturated drama that revels (in a post-post-Tarantino-and-''Trainspotting'' way) in sadism and in-your-face seediness -- and attracts a cast of coolios primed to play extreme.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Taking issue with efforts like The Salton Sea, cold and unemotional films that couldn't be more pleased at the opportunity to enthusiastically drag audiences through unhappy material, is as futile as getting mad at the wind.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Unlike in many thrillers, the movie doesn't sandbag us with one last, cheap twist at the end. The Salton Sea contains its share of surprises, but none of them feels forced or artificial.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

It's Vincent D'Onofrio as Pooh-Bear, a drug lord who's snorted so much meth his nose had to be replaced by a plastic one, who kicks ass.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

All the movie's narrative gymnastics can't disguise the fact that it's inauthentic at its core and that its story just isn't worth telling.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

Let's just say that in spite of its malignant sun-scorched palette, absurdist visions, and narrative loop the loops, the picture looks in hindsight like the same old vigilante crap.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

Quickly curdles into a nasty variation of the one-last-score genre.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

A grimy mess set among L.A.'s speed-abusing "tweakers," Salton has neither the substance to justify first-time feature director D.J. Caruso's pretentious flourishes, nor the skill to make those flourishes work on their own terms.Read the full review

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