The Shawshank Redemption Critic Reviews

Metascore®:

77 =
Based upon 11 Critic Reviews
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Washington Post | Desson ThomsonAdd Critic to Favorites

Speaking of jail, "Shawshank"-the-movie seems to last about half a life sentence. The story, chiefly about the 20-year friendship between Freeman and Robbins, becomes incarcerated in its own labyrinthine sentimentality.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

There are times when The Shawshank Redemption comes dangerously close to sounding one of those "triumph of the spirit" notes. But most of it is eloquently restrained. [23 Sept 1994, p.C3]Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Whitmore's Brooks is a brilliantly-realized character, and the scenes with him attempting to cope with life outside of Shawshank represents one of the film's most moving -- and effective -- sequences.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Paradoxically, it is Shawshank's zealousness in trying to cast a rosy glow over the prison experience that makes us feel we're doing harder time than the folks inside. [23 Sept 1994]Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Kudos go to the great Thomas Newman, whose score contributes as much as either lead to what is finally a two-character movie, though one well-performed by all. [23 Sept 1994]Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Shouldering a laconic-good-guy, neo- Gary Cooper role, Robbins never quite makes emotional contact with the audience.Read the full review

San Francisco Chronicle | Peter StackAdd Critic to Favorites

Some of "The Shawshank Redemption'' comes across as outrageously improbable. Yet the film keeps pulling you back with its sense of striving humanity slowly turning the tables against evil.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

It's the no-bull performances that hold back the flood of banalities. Robbins and Freeman connect with the bruised souls of Andy and Red to create something undeniably powerful and moving.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Remarkable.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

If the film is perhaps a little slow in its middle passages, maybe that is part of the idea, too, to give us a sense of the leaden passage of time, before the glory of the final redemption.Read the full review

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