The Weight of Water Critic Reviews

Metascore®:

53 =
Based upon 9 Critic Reviews
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Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

In the heaving cross-century swirl of the climax, ''Weight'' makes its point: Jealousy is timeless; Hurley is not.Read the full review

Boston Globe | Janice PageAdd Critic to Favorites

Though it never rises to its full potential as a film, still offers a great deal of insight into the female condition and the timeless danger of emotions repressed.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

There is so much to admire in The Weight of Water, Kathryn Bigelow's churning screen adaptation of a novel by Anita Shreve, that when the movie finally collapses on itself late in the game, it leaves you in the frustrating position of having to pick up its scattered pieces and assemble them as best you can.Read the full review

San Francisco Chronicle | Carla MeyerAdd Critic to Favorites

Involves two mysteries -- one it gives away and the other featuring such badly drawn characters that its outcome hardly matters. But the picture looks great.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The actors are splendid, especially Sarah Polley and Sean Penn, but we never feel confident that these two plots fit together, belong together, or work together.Read the full review

Variety | Emanuel LevyAdd Critic to Favorites

Despite recurrent narrative and dramatic problems, each of Bigelow's pics provides a visual treat, and this film is no exception.Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

As a director, Bigelow knows how to get out of the house, but she can be impatient when it comes to humdrum reality. That may account for her interest in Shreve's novel, with its epic tragedies, and it may help to explain the misguided casting of Penn and Hurley, each of whom comes equipped with an oversized personality.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Contains multiple ax murders, lesbianism, incest, a hanging, and a storm at sea -- yet, despite all of this seemingly enticing material, it's a bore.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Perhaps because the present-day characters are such insufferable twits -- especially the brooding Penn, who's given to tossing around stanzas by Yeats and Dylan Thomas -- the modern story feels like a device, a flimsy entrée into events that would be better accessed directly.Read the full review

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