The Wings Of The Dove Critic Reviews

Metascore®:

75 =
Based upon 8 Critic Reviews
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San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

The difference is that Iain Softley, who directed Wings of the Dove, and his screenwriter Hossein Amini, who wrote the overlooked "Jude," are keen observers who bring a wealth of ambiguity and mystery to the surface -- and release their characters from the cliches that easily could have swallowed them.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

Few films have explored the human face this searchingly and found such complex psychological topography. That's why The Wings of the Dove succeeds where virtually every other film translation of a James novel has stumbled.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

In The Wings of the Dove, there is a fascination in the way smart people try to figure one another out. The film is acted with great tenderness.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The Wings of the Dove is not a happy tale, but it is a vivid and unforgettable one, featuring multi- dimensional characters, beautiful cinematography, impressive set design, and accomplished acting.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

The Wings Of The Dove is thought-provoking in a full and lasting sense; it'll stay with you long after its dubious final scene.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Wings of the Dove is richly appointed and beautifully mounted, with lush location shooting in Venice given the place of honor.Read the full review

Variety | David StrattonAdd Critic to Favorites

Visually the film impresses, with Eduardo Serra's widescreen camerawork evocatively capturing the streets and interiors of London and a rain-swept Venice. Pacing is crisp, with little time wasted on inessentials. Dialogue is often caustically witty, and the relations clearly delineated.Read the full review

Slate | Alex RossAdd Critic to Favorites

The movie is a modern facsimile of the potboilers James transfigured. A great movie may yet be made of James, but it will have to be done by someone who has read him.Read the full review

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