There Will Be Blood Critic Reviews

Metascore®:

93 =
Based upon 15 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

There Will Be Blood" is anti-state of the art. It's the work of an analog filmmaker railing against an increasingly digitized world. In that sense, the movie is idiosyncratic, too: vintage visionary stuff.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The kind of film that is easily called great. I am not sure of its greatness. It was filmed in the same area of Texas used by "No Country for Old Men," and that is a great film, and a perfect one. But There Will Be Blood"is not perfect, and in its imperfections we may see its reach exceeding its grasp. Which is not a dishonorable thing.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

For bleakness, the movie can't be beat -- nor for brilliance.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

It's important to remember that Sinclair was as much a committed socialist as a novelist, someone who probably wrote for political purpose more than for dramatic effect. So while Day-Lewis' gorgeous acting largely disguises it, the people in "Blood" tend to be schematic and the film as a whole has a weakness for the didactic.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Unfortunately, the film's final third is poorly focused and, while there is a clear conclusion, it feels strangely hollow.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

In terms of excitement, imagination and rule-busting experimentation, it's a gusher.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Anderson almost brings off a picture worthy of his grandiose ambition.Read the full review

Slate | Dana StevensAdd Critic to Favorites

For a story that's all about the harnessing of fateful chthonic forces, Paul Thomas Anderson has dug deeper than ever before, and struck black gold.Read the full review

The Hollywood Reporter | John DeForeAdd Critic to Favorites

Daniel Day-Lewis stuns in Paul Thomas Anderson's saga of a soul-dead oil man.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

The film is above all a consummate work of art, one that transcends the historically fraught context of its making, and its pleasures are unapologetically aesthetic. It reveals, excites, disturbs, provokes, but the window it opens is to human consciousness itself.Read the full review

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