Treeless Mountain
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- Synopsis
- The frozen space in a little girl's heart gradually begins to warm thanks to the love of her older sister in director So Yong Kim's portrait of a young innocent forced to come to terms with feelings of loss and abandonment....
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- Starring
- Kim Hee Yeon, Kim Song Hee, Kim Mi-hyang, Lee Soo Ah, Boon Tak Park
- Director(s)
- So Yong Kim
- Distributor(s)
- Oscilloscope
- MPAA Rating
- Not Rated
- Runtime
- 89 min.
Critic Reviews
San Francisco Chronicle | G. Allen JohnsonAdd Critic to Favorites
A minimalist masterpiece.Read the full review
Boston Globe | Ty BurrAdd Critic to Favorites
Feels both masterful and hesitant - it’s the work of a born filmmaker who’s still not quite sure what she wants to say.Read the full review
The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites
At times, Treeless Mountain almost feels like a fairy tale--but without the magic.Read the full review
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Headlines
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Spirit Award nominations announced
12/01/09 "The Last Station," which looks at Russian author Leo Tolstoy's final days, and "Precious," the portrait of a troubled inner-city teenager, led the 2010 Spirit Award nominations, with five each. | The Hollywood Reporter -
Capone's Art-House Round-Up with STILL WALKING, Renee Zellweger in MY ONE AND ONLY, and TREELESS MOUNTAIN!!!
09/03/09 The word "master" seems to get tossed around a lot when it comes to Japanese filmmakers, and I could probably write 2,000 words on why that's not the worst thing, since for as long as the Japanese have been making movies, there have been examples of master filmmakers from that nation. | Ain't It Cool News -
400 Screens, 400 Blows - Treeless Mountain
05/16/09 Moviefone 400 Screens, 400 Blows is a weekly column that takes an in-depth look at the films playing below the radar, beneath the top ten, and on 400 screens or less. | Cinematical.com -
Film: Review: Treeless Mountain
04/23/09 So Yong Kim's debut feature, In Between Days , depicted an adolescent romance between Korean immigrants in Canada; it was notable for the way Kim kept her frame tight on the faces of her protagonists, shutting out any people, places, or objects that were extraneous to the would-be couple's intensely self-absorbed experience. | The A.V. Club
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