Triumph of Love Critic Reviews

Metascore®:

56 =
Based upon 11 Critic Reviews
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Variety | David RooneyAdd Critic to Favorites

Light, thoroughly entertaining comedy;Read the full review

Slate | David EdelsteinAdd Critic to Favorites

Sets you nearer than theater permits -- and further back than most movies dare. A magic vantage.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The story, based on an 18th century French play by Pierre Marivaux, is the sort of thing that inspired operas and Shakespeare comedies: It's all premise, no plausibility, and so what?Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

What we're watching, however charming, is a fancifully costumed theater piece that cuts off the oxygen needed to make a play breathe onscreen.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Playful as it is, Clare Peploe's adaptation of Pierre Marivaux's romantic comedy coughs and sputters on its own postmodern conceit.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Triumph of Love, Marivaux's 270-year-old romantic comedy, is a beguiling trifle, a gauzy, teasing inquiry into the fungibility of emotions.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Shaw and Kingsley both create crisp, comic performances, but Sorvino remains a problem throughout. Her physical transformation falls short of the "Boys Don't Cry" standard, to put it mildly.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

It could have been something special, but two things drag it down to mediocrity -- director Clare Peploe's misunderstanding of Marivaux's rhythms, and Mira Sorvino's limitations as a classical actress.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

The result is an exquisite yawn that provokes consideration of how accomplished Ben Kingsley, Fiona Shaw and Mira Sorvino and others are as actors -- but how in this instance the characters they play so intensely never come alive.Read the full review

Boston Globe | Beth PinskerAdd Critic to Favorites

Sorvino can't pass for a man, but that's beyond the point in this rarefied situation. She's beautiful and she can usually act, but here the only convincing thing she projects is fatigue from running around the garden all day.Read the full review

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